Marcus Dijarama Pascoe

In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra
‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name
– Warraburnburn.
The Warraburnburn and the closely related Galabarrbarr spirit (owned by the Balkarranga clan) are also
manikay song topics. The spirits are related to each other as maternal grandparent and grandchild, just as the
people of Warrawarra and Balkarranga are. The dancing of the two ghost spirit figures forms the finale
performance for funerals, and is the final goodbye to a deceased family member.
In many ways the Warraburnburn and Galabarrbarr ghost spirits are like people. They emerge from the patches
of jungle on Warrawarra and Balkarranga country in the late afternoon and go hunting in family groups of men,
women and children. They stay in contact with each other by calling out as the men hunt for fish and the
women walk with their dillybags looking for vegetable food.
The ghost spirits are associated closely with white ochre and artists commonly paint the bodies of carved
figures in white. Different types of ghost spirit wear different patterns. Warraburnburn is decorated with uniform
white dots while others are painted white all over. Some ghost spirits are shown with a design painted on their
chest infilled with rarrk ‘cross-hatching’, the same designs that are painted onto japi an-guyinda ‘male
initiations’.
They also have supernatural characteristics including superhuman size (jarra anbaykarda ‘super tall’). They know
the country intimately – some are malevolent towards humans and will lead people astray, taking them to
unfamiliar and dangerous places. These malevolent spirits are likened to an-muburda ‘sorcerers’ and can
conduct dangerous rituals that cause harm to people. Others are benign and will lead humans back to familiar
paths and their own camps.